Significantly reserved his ire for language that characterised art in the twentieth century as pietistic, sacred, and Practically over a par with relics paintings canonised in all senses on the time period by artwork historians wishing to protect their cultural status. Reading through Berger, it becomes very clear that what he regarded as religion was purely mysticism, a form of recent shamanism, which like a card carrying Marxist he loathed. As Berger admitted, the spectre haunting his…
Doorgaan